It’s book a tattoo appointment season, and I’m already booked for my next three babies. Originally I was planning on getting a tramp stamp, like v traditional style tramp stamp, but then I changed my mind. I still love tramp stamps, they’re super fun and funky, but I also like my low back and I’m not sure I want to cover her, you know. Anyway, I can already feel in my bones that this is going to be sent out on Monday instead of Sunday so let’s get into it and try to prove me wrong.
Peter Do has been named the creative director of Helmut Lang.
I audibly gasped. I did. You guys, this is so major. There are so many parallels between the two and I truly can’t wait to see what Peter does at the brand. Helmut Lang has kind fallen into a slump recently, and although it’s managed to stay afloat, I think Peter will give it what it needs to be a hot brand again.
Also, fear not, nothing is happening the the brand Peter Do.
Well, this is random. Bidayat is set to relaunch Walter Albini after acquiring its IP and archive. Sometimes, one has to wonder why we bring the most random brands out of the woodwork to bring back instead of shining light on younger upcoming designers and brands.
Anyway, I’ve also heard a rumor that Alessandro Michele is said to be named creative director of the brand. Honestly, I kind of see the synergy between the two. I suppose only time will tell if this is, in fact, true.
I saw so many people talking about how this was a good Chanel collection, and Virginie’s best yet! So, dear reader, you can imagine my surprise when I looked at the clothing, and realized I was only to be fed a crumb. The type of crumb that sticks to a corner of your throat and almost chokes you to death. I suppose I agree that it is one of Virginie’s better collections, but I have not, by any means, been made a fan. The show took place in Los Angeles and definitely felt like it was trying to appeal to a younger audience. Key word: trying. Los Angeles also brings to mind all the relationships Coco Chanel had with different directors that she designed clothes for, as well as Karl’s relationship with a lot of actors. However, Virginie said she was looking to the Venice Beach boardwalk more than Hollywood as a source of inspiration— roller skaters, weight lifters, beach bunnies, and people like Jane Fonda and Cindy Crawford. Part of me also feels like it was made with the Barbie movie in mind, because those 80s prints, matching sets, and bathing suits are screaming Malibu Barbie. I liked seeing swimwear because I find that its a fun element of fashion shows we don’t really see anymore. Sure, there were some sweet, matching tweed sets, but as usual the collection as a whole fell flat. Which is a shame, because tapping into the 80s isn’t a silly concept. I’d say it was my favorite era of Karl’s, and there’s so much scrumptious references that Virginie could be making. Instead, we got a gaggle of leg warmers, and styling that not even a brain surgeon could begin to understand the thought process of.
Speaking of brain surgeons, I need somebody to study, to do a thorough evaluation on Glenn Martens’ brain, because how are you doing this so consistently. How is it all so fucking good every season. For this collection, Glenn talked about how continuity was the main priority, and how him and his team took things they’ve done in the past and continued to evolve them. Not only that, but he wanted to create pieces at price points that are more accessible to some people, while still having that Glenn Martens at Diesel touch. It’s funny that he said all that, because my first line of praise for the collection was going to be about how Glenn truly focuses on the clothing instead of a theme. We see things each season that we’ve seen before, but in ways that have yet to be done, and he’s a master at taking the house codes he’s instilled and keeping them from ever feeling stale. Diesel is also trying to be more sustainable, and Glenn mentioned that 70% of the denim used in this collection was made more sustainably, which is kind of a big deal, since denim makes up a large part of the brand. Starting with the Resort 2024 collection and moving forward, all swimwear will be made with 100% recycled polyester as well. Those metallic knits we’ve been seeing in the past few seasons made another appearance, and I love that this is a style that doesn’t seem to be going anymore. That reflective quality is stunning, and seeing it here on different materials was quite nice. I loved a blue matching set that looked like sunlight reflecting on water, but with a dash of oil spill added into the mix. Speaking of water, a few blue pieces, also with a bit of shine, looked like the bottom of a pool, and were delicious. The layering of colorful denims and t-shirts made me salivate, and even the simpler pieces, like a matching black leather set, was so hot. We saw a lot of denim and leather mixed into sportswear, and a black coat was so sleek, I die— the zipper was almost unidentifiable. Although I’m not a huge logomania person, incorporating the Diesel logo does make sense for the brand, and it’s always done in a tasteful way. A halter top made out of a t-shirt was so good, and the exploration of distressing continued to be intriguing. Anyway, this continues to be a Glenn Martens stan account.
- The Weeknd and Lily- Rose Depp for W; Oh, this is good. While the styling isn’t anything inside, there’s a few pops of fun and deliciousness with things like JPG Haute Couture, Loewe, Bottega, and Schiaparelli. Overall, I’m not mad at it, and really enjoy the creative direction as well. Styled by Sara Moonves.
- You guys, Harry’s House is back and so are his silly little outfits. Our first look back is a slutty little tracksuit top with silk pants to mach. I’m into it, and this color combo looked lovely against the sunset. The back of the jacket says Harry Style, while the front has two ice cream cones with melting strawberries on top.
- Lewis Hamilton wore custom Rick Owens, and I love this. It’s essentially a jumpsuit covered in that classic Rick Owens sequin, but the color way and style of jumpsuit reference past collections. Lewis is a race car drive, and wearing jumpsuits similar to this one is part of his uniform, so it’s smart to use that idea to create an every day ready-to-wear piece. I also love that it’s identifiable and makes sense not only for Lewis, but for Rick Owens as well.
- We got our first looks at Beyoncé’s Renaissance World Tour fashion, and my gasps increased in volume with each look. These are all so brilliant, because they reference past collections while still allowing the piece to be its own unique thing. I just love custom fashion that makes sense. I will say, that David Koma number does not compare to the rest and we could have made a better reference, but it’s fine.
- After that stunning Gucci look at the Met Gala, I was scared that the rest of the little mermaid press looks weren’t going to be able to keep up, given the fact that Halle tends to not get the best looks— something I need changed immediately. However, this dress is stunning. I mean, she looks like liquid metal. The dress is fitted to her beautifully, and I love how the bust area is reminiscent of a sea shell without being too on the nose. It also kind of reminds of that scene when Ariel is on a rock and water splashes against her. Valdrin Sahiti often drapes fabrics that you wouldn’t typically associate with draping, and it always pays off. I mean, really, it’s gorgeous, and I love that it’s not a typical “princess” on the red carpet kind of dress.
Remember when I said Halle tends to not get the best looks… yeah. Listen, I think the lattice work on that organza is stunning and I love the way the halter drapes around the neck and back down the dress, almost like it’s spouting water. However, I think the fit could be better— the waist of the dress feels like it’s on the wrong spot on her body due to it being a little large, and you can also see that causes some puckering. There’s something about that underskirt being so noticeable that I find quite jarring as well.
- Simone Ashley is another person that I always wish better looks for. Here she’s wearing an Atelier Versace dress from Spring 2023, and it’s cute. It fits her nicely, the draping is good, and the rosette into side train is fine, but the color of that lace feels off. Originally, the model in the look book had a lighter skin tone that matched the lace more, so since this is a couture look, it would have been nice to see them match the lace more to Simone’s skin tone. I also think a gold shoe would have worked better than a silver.
- Laura Harrier is the ultimate Saint Laurent woman to me. This burnt velvet custom number isn’t anything crazy, but it’s stunning and fits her very well.
- I am not an Hedi Slimane for Celine kind of girl, but I suppose this is an Hedi Slimane for Celine kind of dress, and it’s nice. I have to admit, I did expect something more from Elle, especially for the Season 3 premiere of The Great. She usually does some subtle method dressing that I appreciate.
- Not Charlize, not the beret. This is not a great look regardless, but wearing it buttoned up top to create a large keyhole cutout, without a bra underneath, like it was done on the runway, would have actually been better.
- Taylor Russell is still alive and still wearing Loewe!!! Love this simple, refined top with darting and how it leads into a crocheted macrame moment.
- Finally, we have Rihanna, continuing to wear every single thing I have ever had on my wishlist. Love a Peter Do exposed stitch outerwear moment.
So that was this week! I have to go buy lemons because I went grocery shopping yesterday and forgot.
TTYL!!!
xx